Plazm Magazine: Documenting Creative Culture Since 1991
Plazm is a magazine of design, art, and culture with worldwide distribution. Founded by artists as a creative resource, the magazine is now published by the nonprofit New Oregon Arts & Letters.Order Plazm #30 now.
Mr. Lucky
By The Residents, for Plazm #28
Web only content. More info on Plazm #28, the luck issue.
Malia Jensen
by Jon Raymond
When Malia Jensen was little, growing up in the wooded foothills of rural Oregon, an issue of Esquire magazine informed her of a little fact that has stuck with her ever since. Earthworms, her father’s magazine reported, feel pain.Full Article>>
SEARCH PLAZM:
Harri Pälviranta: BatteredPhotography series and interview examining the culture of violence in Finland.
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Storm Tharp: Arrangement in Flesh and BlackStephanie Snyder, director of the Cooley on Storm's recent body of work.
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Christina Seeley: LuxA photographic mapping of the most brightly illuminated — and industrialized regions on the planet. More>>
Every Page of Plazm
Fifteen years of blood,
sweat, and tears can be viewed in under an hour. Check it out.
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In
Conversation With EmigreRudy VanderLans in conversation with Plazm.
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In Plazm 29, we took a stab at documenting the scene. A by no means definitive effort.
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Beth Urdang conducts an interview, and we publish photographs made by Mr. Byrne for Plazm #15.
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Timeline
of DissentThe twentieth century saw nearly constant war and nearly constant
protest of war. Plazm assembles a timeline of dissent.
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Yoko Ono Interview Plazm's Joshua Berger interviews
Yoko Ono about creative visualization, music, and the future.
Imprisoned since 1976, Peltier continues to thrive as a writer,
painter, and member of AIM.
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Out of Darkness: DIN and the Mythic Power of TypeRarely is typography viewed as part of an organic process of evolution...
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The musician behind the Magnetic Fields narrates OMD's Architecture and Morality.
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If you barrel down the Grand Neutralizing Parkway in the town of Yoro, Japan, you may safely lose your mind.
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Whose
Protecting Who?Editorial by Martha Rosler with illustrations by Raymond Pettibon.
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