Plazm Magazine: Documenting Creative Culture Since 1991
Founded by artists as a creative resource, Plazm publishes an
eclectic design and culture magazine with worldwide distribution. The
entire catalog is now part of the permanent collection at SFMoMA. Order
Plazm 29 Now.
Mr. Lucky
By The Residents, for Plazm #28
Web only content. More info on Plazm #28, the luck issue.
Malia Jensen
by Jon Raymond
When Malia Jensen was little, growing up in the wooded foothills of rural Oregon, an issue of Esquire magazine informed her of a little fact that has stuck with her ever since. Earthworms, her father’s magazine reported, feel pain.Full Article>>
Harri Pälviranta: BatteredPhotography series and interview examining the culture of violence in Finland.
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Storm Tharp: Arrangement in Flesh and BlackStephanie Snyder, director of the Cooley on Storm's recent body of work.
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Christina Seeley: LuxA photographic mapping of the most brightly illuminated — and industrialized regions on the planet. More>>
Every Page of Plazm
Fifteen years of blood,
sweat, and tears can be viewed in under an hour. Check it out.
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In
Conversation With EmigreRudy VanderLans in conversation with Plazm.
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In Plazm 29, we took a stab at documenting the scene. A by no means definitive effort.
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Beth Urdang conducts an interview, and we publish photographs made by Mr. Byrne for Plazm #15.
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Timeline
of DissentThe twentieth century saw nearly constant war and nearly constant
protest of war. Plazm assembles a timeline of dissent.
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Yoko Ono Interview Plazm's Joshua Berger interviews
Yoko Ono about creative visualization, music, and the future.
Imprisoned since 1976, Peltier continues to thrive as a writer,
painter, and member of AIM.
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Out of Darkness: DIN and the Mythic Power of TypeRarely is typography viewed as part of an organic process of evolution...
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The musician behind the Magnetic Fields narrates OMD's Architecture and Morality.
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If you barrel down the Grand Neutralizing Parkway in the town of Yoro, Japan, you may safely lose your mind.
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Whose
Protecting Who?Editorial by Martha Rosler with illustrations by Raymond Pettibon.
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